Albert Bierstadt
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Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Willem Van de Velde The Younger
The Capture of the Royal Prince, 13 June 1666

ID: 92322

Willem Van de Velde The Younger The Capture of the Royal Prince, 13 June 1666
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Willem Van de Velde The Younger The Capture of the Royal Prince, 13 June 1666


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Willem Van de Velde The Younger

(bapt. 18 December 1633 - 6 April 1707) was a Dutch marine painter. Willem van de Velde was baptised on 18 December 1633 in Leiden, Holland, Dutch Republic. A son of Willem van de Velde the Elder, also a painter of sea-pieces, Willem van de Velde, the younger, was instructed by his father, and afterwards by Simon de Vlieger, a marine painter of repute at the time, and had achieved great celebrity by his art before he came to London. In 1673 he moved to England, where he was engaged by Charles II, at a salary of £100, to aid his father in "taking and making draughts of sea-fights", his part of the work being to reproduce in color the drawings of the elder van de Velde. He was also patronized by the Duke of York and by various members of the nobility. He died on 6 April 1707 in London, England.  Related Paintings of Willem Van de Velde The Younger :. | An English Ship in a Gale Trying to Claw off a Lee Shore | Ships anchored offshore | Royal James at the Battle of Solebay | The Dutch Fleet in the Goeree Straits | The Taking of the English Flagship the Royal Prince |
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BEGAS, Carl the Elder
German painter b. 1794, Hainsberg bei Aachen, d. 1854, Berlin
Friedrich von Amerling
Austrian Academic Painter, 1803-1887,Austrian painter. He came from a family of craftsmen and studied (1815-24) at the Akademie der bildenden Kenste, Vienna, where one of his teachers was the conservative history painter Hubert Maurer (1738-1818). From 1824 to 1826 he attended the Academy in Prague, where he was taught by Josef Bergler. In 1827 and 1828 Amerling stayed in London, and he met the portrait painter Sir Thomas Lawrence, whose work was to be a strong influence on Amerling's painting during the next two decades. Amerling also travelled to Paris and Rome but was recalled to Vienna on an official commission to paint a life-size portrait of the emperor Francis I of Austria (Vienna, Ksthist. Mus.). With this work,






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